About site: Philosophy/Philosophy of Mind/Consciousness Studies - View from the Stranger's Gallery
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  About site: http://www.brianfelsen.com/

Title: Philosophy/Philosophy of Mind/Consciousness Studies - View from the Stranger's Gallery An oratorio attempting to render in music the internal and external influences that inform one's experience of consciousness, and which traces the current debate in cognitive science in a post-dualist
The_Art_of_Kissing_Poetry Several poems dwelling on the subject of kissing.

Military_Memories Poetry and art inspired by veterans from recent and past conflicts.

Risk_Management_Incorporated Specializing in the assessment and management of risk from exposures to chemical and radiological hazards. Based in Massachusetts.

The_Data_Company Trial exhibit and presentation consultation and services.

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Brian Felsen's STRANGERS' GALLERY - an multimedia artwork on consciousness Brian Felsen Artist - composer - performer No broadheads (2007) C-print on Gatorboard News: My latest musical work will be completed in Feb. '08, and I will release preview tracks here (along with some new poetry).

Artistic Statement:

My interest is in finding a new artistic language to represent the experience of consciousness - and in so doing, to use art as a tool to elicit a spiritual experience without resorting to the supernatural.   Consciousness is not a "stream" but is more like a flood.  It is difficult to capture its essence with language alone: words alone are linear and slow, and the terms and metaphors of folk psychology are coarse and misleading.  That's why reporting your own "stream of consciousness" is difficult: first-person reports are notoriously intrusive, unreliable, and unverifiable.  I use music, theatrical performance, photography, poetry, and film to illustrate the multi-layered complexity of recursive processing systems in the brain.  Throughout my work, I introduce new concepts and techniques to show how the experience of consciousness emerges from the clamor of competing voices within the parliamentary chamber of the mind.  The purpose is for the creation and viewing of the work to engender a feeling of awe at how the complexity of subjective experience emerges and evolves, without adding an extra element of "soul" or "consciousness" to the universe.  

Please click here to explore my work:

Music        Photography        Poetry        Film        Performance

  Works include an oratorio, View from the Strangers' Gallery, in 2000; two song-cycles, Great Expectations and The Court Gossip, in 2001; a play, Conducting Elif, in 2002; a collection of poetry in 2003-4; and several short films and sculptures in 2005.  

Exhibitions:

Click here for photos from Brian's exhibition at philosophy of mind conference -  Toward a Science of Consciousness (TSC 2006)   My art photography and short films have been exhibited throughout the country at art galleries, film festivals, and philosophy conferences.  These include several gallery showings, as well as presentations at the SciArt festival in London, the ASCI festival in New York, and a lecture on philosophy of mind at the Association for the Scientific Studies of Consciousness (ASSC) at CalTech. Photos from exhibitions Links to other artists exhibiting at TSC  

Further info about the artist:

Discussion about the work Reviews Business activities Contact information and mailing list Copyright ©2008 MM Productions/ brianfelsen.com All rights reserved. Brian Felsen's Facebook profile var sc_project=2222630; var sc_invisible=0; var sc_partition=20; var sc_security="3fd1e239"; counter free hit invisible Back to home  
 

An

oratorio

attempting

to

render

in

music

the

internal

and

external

influences

that

inform

one's

experience

of

consciousness,

and

which

traces

the

current

debate

in

cognitive

science

in

a

post-dualist

http://www.brianfelsen.com/

View from the Stranger's Gallery 2008 October

dvd rental

dvd


An oratorio attempting to render in music the internal and external influences that inform one's experience of consciousness, and which traces the current debate in cognitive science in a post-dualist

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